Q: I found your book on screenplays on my shelf and am refreshing myself with your guidelines on punching up dialogue. Good stuff!! Do you have any advice for people… read more →
Here is the sixth in my series of articles on how to captivate your audiences and readers with the use of conflict, and the third in the corresponding series examining the… read more →
Here is the fifth in my series of articles on how to captivate your audiences and readers with the use of conflict, and the second in the corresponding series examining the… read more →
Q: I am finding that when I sit down each day to continue my writing, I read everything I’ve written so far in order to get back into the flow.… read more →
Depending on how you look at it, this is either the fifth in my series of articles on how to captivate your audiences and readers with the use of conflict, or… read more →
HERE’S a TV trivia question: what do “Laverne and Shirley,” “Better Call Saul” and “CSI: New York/Miami/Tacoma” all have in common? Yup. They’re SPINOFFS. Their characters or premises were first… read more →
This is the third in my series of articles on how to captivate your audiences and readers with the use of conflict – your most powerful tool for eliciting emotion… read more →
After offering my introductory article on CONFLICT (the one about Tiger Woods), I got a lot of kind and thoughtful responses (thanks, everyone!), including this one from a follower named… read more →
(The phrase “Spoiler Alert” has permeated the media so frequently in the last few weeks that it’s probably unnecessary to repeat it. But I’m providing that alert anyway to anyone… read more →
I recently posted a series of articles about how to use desire to define your story, to drive the action and characters toward a satisfying resolution, and to captivate your… read more →
