I recently received the question below, and since marketing television scripts is not really my area of expertise, I asked my friend, colleague and renowned screenwriting career coach Lee Jessup… read more →
My previous article, “Don’t Summarize!” had one of the strongest reactions of any I’ve done. I got lots of positive comments (thanks!), but also a number of questions and challenges regarding just… read more →
A common weakness among all storytellers – screenwriters and novelists as well as marketers and presenters – is the tendency to summarize. When you write or tell a story, you… read more →
Q: I have a structure question that pertains to my notes from your Story Mastery seminar, and from your video with Chris Vogler, The Hero’s Two Journeys. You place the… read more →
This is a letter from a 15-year old who wants to become a screenwriter, but who wonders how – or even if – she should begin pursuing this dream. I… read more →
Q: I’m from India, and I want to know why we don’t see low budget Indian movies where the protagonist has a CLEAR & VISIBLE goal. Why are these movies… read more →
Q: I really enjoy your seminars and writings on story, but I’m still wrestling with this issue: Should the needs and wants of my protagonist arise from the circumstances of… read more →
Q: Your Q&A article on “Coming of Age Stories” was a great help. But is it possible to have a coming-of-age story for a middle aged man? Perhaps a part of… read more →
(This question was submitted as a comment following my article on credibility. I answer it here because I think the issues of how, when and whether you add fantasy to… read more →
Q: I’ve read your article on the 5 Key Turning Points of All Successful Stories, and watched your lecture on 6-stage plot structure that’s part of The Hero’s Two Journeys. But… read more →
