I recently posted a series of articles about how to use desire to define your story, to drive the action and characters toward a satisfying resolution, and to captivate your… read more →
When your goal is to deliver a written or spoken story that elicits emotion (as it ALWAYS must be), your story has to include 3 essential elements: character, desire and… read more →
In response to our survey asking about how our followers are using stories, and what challenges you’re encountering, screenwriter Taha Ali asked what it means when “the stakes are high”… read more →
The film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI includes an early scene where the hero, Mildred Hayes (Frances McDormand) is confronted by Chief of Police Bill Willoughby (Woody Harrelson) about her… read more →
Last week I once again was part of a wonderful, almost indescribable experience. I had the privilege of joining World Champions of Public Speaking Darren LaCroix and Mark Brown at… read more →
The most powerful and persuasive stories don’t simply entertain or enlighten – they challenge their readers and audiences to transform – to find the courage to change their thoughts and… read more →
I want to share a story with you. This is a story about another story – one that my client James Stafford recently wrote and posted to his website, and… read more →
In the outstanding film HIDDEN FIGURES, screenwriters Allison Schroeder and Theodore Melfi faced the formidable task of immediately introducing their three major characters, and making them unique and memorable. All… read more →
My previous article, “Don’t Summarize!” had one of the strongest reactions of any I’ve done. I got lots of positive comments (thanks!), but also a number of questions and challenges regarding just… read more →
A common weakness among all storytellers – screenwriters and novelists as well as marketers and presenters – is the tendency to summarize. When you write or tell a story, you… read more →
