MISDEMEANOR: Addressing Characters by Name
In real world conversations, we almost never declare whom it is we’re talking to. So unless a character in your story is searching for someone, shouting at someone…
CREDIBILITY: Story Reality vs Real Reality
I once consulted with a screenwriter who complained when I told him his screenplay lacked credibility. “Movies aren’t ever real,” he argued.
Q&A: Old Movies and Books as Antecedents
Q: In Selling Your Story In 60 Seconds, you repeatedly stress the value of including antecedents — previously successful movies or novels that give agents…
Q&A: KEEPING IT SIMPLE
Q: Having recently completed the first draft of my screenplay, I find the 2nd act is a real drag. The movie is about a person told from three distinct memories.
Q&A: Quality vs Commerciality
Q: A couple months have gone by since I completed my two screenplays. I have queried multiple agencies through the proper channels and have not gotten any success.
Q&A: Character Arc in THE BOURNE IDENTITY
Q: I can’t identify Jason Bourne’s arc in THE BOURNE IDENTITY. He abhors the realization that he was an assassin working for Treadstone…
MISDEMEANOR: Introducing Characters All At Once
Have you ever been the last to arrive at a party and the host introduces you, one at a time, to everyone there? So how many of those names are you able to remember?
THE KEY TO CHARACTER DESCRIPTION: VIVID, REVEALING DETAILS
Your job as a storyteller is to create IMAGES. This is true not just for screenwriters, but for anyone presenting a story to a reader or an audience.
Q&A: Creating Tension in Your Story
Q: How do you create tension without resorting to action? A: Tension is actually the antithesis of action. Tension is all about creating anticipation.
Q&A: LOVE STORIES AND OUTER MOTIVATION
Q: I’m writing a love story and have already developed the hero’s inner motivation and inner conflict, but I’m worried about her visible goal.