I’m sometimes challenged when I proclaim that the hero of a story must decide on his or her Outer Motivation during the New Situation, and that the pursuit of that… read more →
Q: I have a structure question that pertains to my notes from your Story Mastery seminar, and from your video with Chris Vogler, The Hero’s Two Journeys. You place the… read more →
(This question was submitted as a comment following my article on credibility. I answer it here because I think the issues of how, when and whether you add fantasy to… read more →
Q: I’ve read your article on the 5 Key Turning Points of All Successful Stories, and watched your lecture on 6-stage plot structure that’s part of The Hero’s Two Journeys. But… read more →
[Though this question is from a screenwriter, the issue it raises is just as critically important to novelists, speakers and internet marketers.] Q: Having recently completed the first draft of… read more →
Award winning author Kristan Higgins joins Michael during his Story Mastery event for the Connecticut chapter of the RWA to discuss her best selling novel The Next Best Thing. In… read more →
Q: I’m writing a love story and have already developed the hero’s inner motivation and inner conflict, but I’m worried about her visible goal. Is my hero’s desire simply to win… read more →
James Cameron’s screenplay Avatar is an outstanding example of using many structural tools and devices successfully in one script. In addition to the overall structure of your screenplay – the… read more →
Imagine a story about a soldier, wounded by past battles, who is sent to a hostile, unfamiliar place filled with danger and overwhelming obstacles. He’s a stranger in a strange… read more →
Many of you have asked how effective the elements of my 6 Stage approach to plot structure are when applied to one-hour dramatic television series. Even though an episodic series… read more →
