Embracing Extreme Heroes
To add depth to the hero of your screenplay, novel, speech or marketing tool you must give that hero some fear to be confronted and overcome.
To add depth to the hero of your screenplay, novel, speech or marketing tool you must give that hero some fear to be confronted and overcome.
As Film Courage continues posting chunks of my interview with them, I want to supplement the videos with some added thoughts about my 6 Stage approach to structure.
I’m sometimes challenged when I proclaim that the hero of a story must decide on his or her Outer Motivation during the New Situation…
I’m two months away from getting my BA in Creative Writing for Entertainment. Throughout the two and half years in this program…
A common weakness among all storytellers – screenwriters and novelists as well as marketers and presenters – is the tendency to summarize.
Q: I have a structure question that pertains to my notes from your Story Mastery seminar, and from your video with Chris Vogler, The Hero’s Two Journeys.
This is a letter from a 15-year old who wants to become a screenwriter, but who wonders how – or even if – she should begin pursuing this dream.
Q: I’m from India, and I want to know why we don’t see low budget Indian movies where the protagonist has a CLEAR & VISIBLE goal.
Q: I really enjoy your seminars and writings on story, but I’m still wrestling with this issue: Should the needs and wants of my protagonist arise from the circumstances of the story?
Q: Your Q&A article on “Coming of Age Stories” was a great help. But is it possible to have a coming-of-age story for a middle aged man?
Send your questions to Michael and he’ll create a Q&A Article specifically for your question!