What’s at Stake?
The simplest way to understand the idea of STAKES for the hero (or for any character in a story) is to ask, “What will this character lose if he fails to achieve his goal?”
The simplest way to understand the idea of STAKES for the hero (or for any character in a story) is to ask, “What will this character lose if he fails to achieve his goal?”
The film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI includes an early scene where the hero, Mildred Hayes (Frances McDormand) is confronted by…
Last week I once again was part of a wonderful, almost indescribable experience. I had the privilege of joining World Champions of Public Speaking.
The most powerful and persuasive stories don’t simply entertain or enlighten – they challenge their readers and audiences to transform.
This is a story about another story – one that my client James Stafford recently wrote and posted to his website, and sent out to his subscribers.
In the outstanding film HIDDEN FIGURES, screenwriters Allison Schroeder and Theodore Melfi faced the formidable task of immediately…
One of my all time favorite screenplays (and movies) is Aaron Sorkin’s script for A Few Good Men. So I was honored and excited when Film Courage…
All stories are built on a foundation of three basic components: character, desire, and conflict. A hero or protagonist desperately wants something.
To add depth to the hero of your screenplay, novel, speech or marketing tool you must give that hero some fear to be confronted and overcome.
As Film Courage continues posting chunks of my interview with them, I want to supplement the videos with some added thoughts about my 6 Stage approach to structure.
Send your questions to Michael and he’ll create a Q&A Article specifically for your question!