Q&A: Should I Write a Spec Script for a TV Series?
I find that the only reason to write TV specs these days is for the TV writing programs/fellowships. Otherwise, they rarely serve a purpose.
I find that the only reason to write TV specs these days is for the TV writing programs/fellowships. Otherwise, they rarely serve a purpose.
Q: When I first introduce a character into a story, must I always give his or her last name? Is the first name enough? Must I name the character at all?
James Cameron’s screenplay Avatar is an outstanding example of using many structural tools and devices successfully in one script.
Many of you have asked how effective the elements of my 6 Stage approach to plot structure are when applied to one-hour dramatic television series.
Though writing a successful Hollywood movie is certainly not easy, the stories for mainstream Hollywood films are all built on only three basic components: character, desire and conflict.
Structure is something that every agent, editor, publisher, Hollywood executive, public speaker, marketer and story teller talks about, to the point that it can seem complicated.
When you decide to write a spec script for television, you must first decide the series for which you want to write a sample episode.
Stories are built on a foundation of desire and conflict. To create an emotionally involving and commercially successful screenplay, you must give your hero…
Every successful screenwriter or novelist I know possesses one outstanding quality: tenacity. The difference between working writers and wannabes isn’t talent or age.
Send your questions to Michael and he’ll create a Q&A Article specifically for your question!