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TV Writing

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Question and Answer

Q&A: Should I Write a Spec Script for a TV Series?

Articles for Screenwriters, Q&A, Story Mastery Articles, TV WritingBy Michael HaugeJuly 8, 2016Leave a comment

I find that the only reason to write TV specs these days is for the TV writing programs/fellowships. Otherwise, they rarely serve a purpose.

Q&A: Naming Your Characters

Q&A: Naming Your Characters

Articles for Marketers, Articles for Novelists, Articles for Public Speakers, Articles for Screenwriters, Character Development, Q&A, Story Mastery Articles, TV Writing, Writing StyleBy Michael HaugeJune 13, 20157 Comments

Q: When I first introduce a character into a story, must I always give his or her last name? Is the first name enough? Must I name the character at all?

STORY STRUCTURE: Superior Position, Foreshadowing and Ticking Clocks in AVATAR

STORY STRUCTURE: Superior Position, Foreshadowing and Ticking Clocks in AVATAR – Part One

Articles for Marketers, Articles for Novelists, Articles for Public Speakers, Articles for Screenwriters, Movie Analysis, Story Mastery Articles, Story Structure, TV WritingBy Michael HaugeOctober 25, 2014Leave a comment

James Cameron’s screenplay Avatar is an outstanding example of using many structural tools and devices successfully in one script.

STORY STRUCTURE: Structuring TV Episodes

STORY STRUCTURE: Structuring TV Episodes

Story Mastery Articles, Story Structure, TV WritingBy Michael HaugeSeptember 22, 201418 Comments

Many of you have asked how effective the elements of my 6 Stage approach to plot structure are when applied to one-hour dramatic television series.

STORY STRUCTURE: The 5 Key Turning Points of All Successful Screenplays

STORY STRUCTURE: The 5 Key Turning Points of All Successful Screenplays

Articles for Marketers, Articles for Novelists, Articles for Public Speakers, Articles for Screenwriters, Movie Analysis, Story Mastery Articles, Story Structure, TV WritingBy Michael HaugeSeptember 22, 201468 Comments

Though writing a successful Hollywood movie is certainly not easy, the stories for mainstream Hollywood films are all built on only three basic components: character, desire and conflict.

STORY STRUCTURE: 10 Simple Keys to Effective Plot Structure

STORY STRUCTURE: 10 Simple Keys to Effective Plot Structure

Articles for Marketers, Articles for Novelists, Articles for Public Speakers, Articles for Screenwriters, Featured Articles, Story Mastery Articles, Story Structure, TV WritingBy Michael HaugeSeptember 22, 201422 Comments

Structure is something that every agent, editor, publisher, Hollywood executive, public speaker, marketer and story teller talks about, to the point that it can seem complicated.

PREPARING TO WRITE A SPEC TV SCRIPT

PREPARING TO WRITE A SPEC TV SCRIPT

Story Mastery Articles, TV WritingBy Michael HaugeSeptember 22, 2014Leave a comment

When you decide to write a spec script for television, you must first decide the series for which you want to write a sample episode.

WHAT ARE FRIENDS FOR? The King’s Speech

WHAT ARE FRIENDS FOR? The King’s Speech

Articles for Marketers, Articles for Novelists, Articles for Public Speakers, Articles for Screenwriters, Character Development, Love Stories, Movie Analysis, Story Mastery Articles, TV WritingBy Michael HaugeApril 21, 20149 Comments

Stories are built on a foundation of desire and conflict. To create an emotionally involving and commercially successful screenplay, you must give your hero…

STORY ESSENTIALS #6: Conflict

THE #1 QUALITY OF SUCCESSFUL STORYTELLERS

Articles for Marketers, Articles for Novelists, Articles for Public Speakers, Articles for Screenwriters, Selling Your Story, Story Mastery Articles, TV WritingBy Michael HaugeApril 21, 20141 Comment

Every successful screenwriter or novelist I know possesses one outstanding quality: tenacity. The difference between working writers and wannabes isn’t talent or age.

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Q&A with Michael Hauge

Send your questions to Michael and he’ll create a Q&A Article specifically for your question!