DIALOGUE vs. ACTION: Tell Don’t Show
Writing and storytelling are filled with rules and maxims that are presented as unbreakable commandments – but which should occasionally be challenged.
Writing and storytelling are filled with rules and maxims that are presented as unbreakable commandments – but which should occasionally be challenged.
Q: I am trying to incorporate personal stories into my speeches. But a voice in my head keeps asking, “Why would anyone be interested in hearing YOUR life story?”
A screenplay can ONLY include what the audience will see and hear on the screen. No background information, no author’s asides, no character thoughts or feelings.
James Cameron’s screenplay Avatar is an outstanding example of using many structural tools and devices successfully in one script.
Brief, vivid descriptions of the characters and settings in your screenplay, novel or presentation create a vivid movie in the mind of your reader or audience.
When the hero or heroine of your love story or romantic comedy is choosing between two lovers, you must be careful not to lose sympathy for your hero.
I find it fascinating that Avatar and The Hurt Locker – the two movies that duked it out for the 2009 Best Picture Oscar® – have so many common plot elements.
Many of you have asked how effective the elements of my 6 Stage approach to plot structure are when applied to one-hour dramatic television series.
Though writing a successful Hollywood movie is certainly not easy, the stories for mainstream Hollywood films are all built on only three basic components: character, desire and conflict.
The term ‘Story Structure’ simply refers to the sequence of events in a story. A writer’s or filmmaker’s goal has to be to create an emotional experience for the reader or the audience.
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