WHAT DOES YOUR HERO WANT? #4: Preliminary Goals and Ultimate Objectives
Defining your hero’s Outer Motivation can sometimes seem confusing because it can easily be mistaken for two of your hero’s other desires.
Defining your hero’s Outer Motivation can sometimes seem confusing because it can easily be mistaken for two of your hero’s other desires.
The Outer Motivation answers the question, “What is my hero’s visible goal?” To discover your hero’s Inner Motivation ask, “Why does my hero want this?”
As I discussed last time, the Outer Motivation is a character’s specific, visible goal. When we read or hear what it is, we can picture what achieving it would look like.
I’m beginning with the Outer Motivation, not because it appears first, but because it is essential.
The simplest way to understand the idea of STAKES for the hero (or for any character in a story) is to ask, “What will this character lose if he fails to achieve his goal?”
The film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI includes an early scene where the hero, Mildred Hayes (Frances McDormand) is confronted by…
Last week I once again was part of a wonderful, almost indescribable experience. I had the privilege of joining World Champions of Public Speaking.
The most powerful and persuasive stories don’t simply entertain or enlighten – they challenge their readers and audiences to transform.
In the outstanding film HIDDEN FIGURES, screenwriters Allison Schroeder and Theodore Melfi faced the formidable task of immediately…
All stories are built on a foundation of three basic components: character, desire, and conflict. A hero or protagonist desperately wants something.
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